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You Are A Story
Guitar
Sheetmusic to print
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1
'A golden time ...' from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.44 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
'A golden time ...' from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Have You Ever Really Loved A Woman?
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1274042 By Bryan Adams. By Bryan A…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.1274042 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Tondi Rangkuti a.k.a Tondi. FR. 20th Century,21st Century,Classical,Standards,Traditional. Individual part. 9 pages. ToRa Swarna Diva #866177. Published by ToRa Swarna Diva (A0.1274042). Tondi Rangkuti A.K A Tondi. FR arranged 'Have You Ever Really Loved a Woman' by Bryan Adams for solo guitar. The original song featured Paco Delucia, a Maestro Flamenco in history. This arrangement manages to capture Rumba Flamenco very well. And we know that the arragement of guitar solo for this song is very rare. And very few are able to transcribe well into guitar instrumental.
$17.90
16.47 €
#
Guitar
#
Bryan Adams
#
Have You Ever Really Loved A Woman?
#
ToRa Swarna Diva
#
SheetMusicPlus
You've Got A Friend In Me
Guitar
Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1044225 By Randy Newman A…
(+)
Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1044225 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by Toni Lindgren. Broadway,Children,Film/TV,Musical/Show. Score. 5 pages. Toni Lindgren #648968. Published by Toni Lindgren (A0.1044225). This is a simplified arrangement of the chords to Disney's Toy Story theme by Randy Newman. It's intended for players who are still in the earlier stages of rhythm technique development and are currently focusing on expanding their knowledge of basic open chords. There are no barre chords (with the exception of a small one string barre for the basic F chord) and all the extended voicings of the original song have been removed, but these chords will still function over the original song melody. The score includes these basic open chords, their relevant diagrams, the song lyrics, and notation of the melody, which can be sung over the guitar or played by another instrument.
$4.99
4.59 €
#
Guitar
#
Randy Newman And Lyle Lovett
#
You've Got A Friend In Me
#
Toni Lindgren
#
SheetMusicPlus
Randy Newman : Toy Story - You've Got a Friend in Me (niveau facile/intermédiaire, guitare seule)
Guitar
Téléchargez la tablature et la partition Guitare Toy Story - You've Got…
(+)
Téléchargez la tablature et la partition Guitare Toy Story - You've Got a Friend in Me (niveau facile/intermédiaire, guitare seule) de Randy Newman. Tab pour Guitare seule -- Musique de film
5.99 €
#
Guitar
#
Tomplay
Randy Newman : Toy Story - You've Got a Friend in Me (niveau facile, guitare seule)
Guitar
Téléchargez la tablature et la partition Guitare Toy Story - You've Got…
(+)
Téléchargez la tablature et la partition Guitare Toy Story - You've Got a Friend in Me (niveau facile, guitare seule) de Randy Newman. Tab pour Guitare seule -- Musique de film
5.99 €
#
Guitar
#
Tomplay
Randy Newman : Toy Story - You've Got a Friend in Me (niveau débutant, guitare seule)
Guitar
Téléchargez la tablature et la partition Guitare Toy Story - You've Got…
(+)
Téléchargez la tablature et la partition Guitare Toy Story - You've Got a Friend in Me (niveau débutant, guitare seule) de Randy Newman. Tab pour Guitare seule -- Musique de film
5.99 €
#
Guitar
#
Tomplay
Randy Newman : Toy Story - You've Got a Friend in Me (niveau très facile, avec orchestre)
Guitar
Téléchargez la tablature et la partition Guitare Toy Story - You've Got…
(+)
Téléchargez la tablature et la partition Guitare Toy Story - You've Got a Friend in Me (niveau très facile, avec orchestre) de Randy Newman. Tab pour Guitare mélodique avec band/orchestre -- Musique de film
5.99 €
#
Guitar
#
Tomplay
Randy Newman : Toy Story - You've Got a Friend in Me (niveau facile, avec orchestre)
Guitar
Téléchargez la tablature et la partition Guitare Toy Story - You've Got…
(+)
Téléchargez la tablature et la partition Guitare Toy Story - You've Got a Friend in Me (niveau facile, avec orchestre) de Randy Newman. Tab pour Guitare mélodique avec band/orchestre -- Musique de film
5.99 €
#
Guitar
#
Tomplay
Randy Newman : Toy Story - You've Got a Friend in Me (niveau facile/intermédiaire, avec orchestre)
Guitar
Téléchargez la tablature et la partition Guitare Toy Story - You've Got…
(+)
Téléchargez la tablature et la partition Guitare Toy Story - You've Got a Friend in Me (niveau facile/intermédiaire, avec orchestre) de Randy Newman. Tab pour Guitare mélodique avec band/orchestre -- Musique de film
5.99 €
#
Guitar
#
Tomplay
Greensleeves - Guitar Arrangement
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1216550 By Traditional Music. By T…
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1216550 By Traditional Music. By Traditional Music. Arranged by Arezzo Music. Baroque,Celtic,Chamber,Early Music,Irish,Traditional. Individual part. 1 pages. Arezzo Music #813114. Published by Arezzo Music (A0.1216550). Greensleeves - Guitar Sheet Music Arrangement Here, we present a beautiful arrangement of the classic English folk song Greensleeves for classical guitar. This timeless melody has been a favorite for centuries and has been adapted and arranged in countless ways. Our arrangement for guitar Sheet Music begins with a delicate and intricate fingerstyle introduction that sets the tone for the rest of the piece. Our arrangement has been made to maintain the simplicity of the piece while takes advantage of the delicate character and tone of the Guitar. Whether you're a seasoned guitarist or a beginner, this arrangement of Greensleeves is sure to captivate and inspire. So grab your guitar and your Guitar Sheet Music and join us for a journey through one of the most beloved melodies in history. Hope that you like Greensleeves - Guitar Sheet Music.
$3.99
3.67 €
#
Guitar
#
Traditional Music
#
Greensleeves - Guitar Arrangement
#
Arezzo Music
#
SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.44 €
#
Guitar
#
Richard Strauss
#
for solo classical guitar
#
Chorus and Aria from Ariadne auf Naxos
#
Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.44 €
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Guitar
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Richard Strauss
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Overture from Ariadne auf Naxos
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.44 €
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Guitar
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Richard Strauss
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for solo classical guitar
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Overture from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Jazz Guitar Comping
Guitar
Raising Your Chord Awareness. Composed by Andrew Green. 0. E-book and online audio. Me…
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Raising Your Chord Awareness. Composed by Andrew Green. 0. E-book and online audio. Mel Bay Publications - Digital Sheet Music #0970057644MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117280.<br> <br> For most of the recorded history of jazz, the piano has been the main, and usually the only, comping instrument. This text will help guitarists get a handle on the most important job they have when playing in a small group: comping. This book can be used as a progressive study of comping or simply a source of ideas. Although rhythms and voice leading are found throughout the book, they are isolated for study in particular sections. The book and accompanying audio cover voice leading, multi-use voicings, voicing variations, passing chords, harmonized scales, intervallic comping, rhythm and studies (blues, standard, modern and modal). Includes access to online audio.
$19.99
18.4 €
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Guitar
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Andrew Green
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Jazz Guitar Comping
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
IL SATIRO DANZANTE - Solo Guitar
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. …
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Solo Guitar - Level 4 - Digital Download SKU: A0.802998 Composed by LINCOLN BRADY. 20th Century,Concert,Contemporary,World. Individual part. 9 pages. LINCOLN BRADY #1985881. Published by LINCOLN BRADY (A0.802998). Inspired by the true story of the ancient greek statue - 'DANCING SATYR' (in Mazara del Vallo) - discovered by fishermen off the coast of Sicily in 1998 after having lain on the Mediterranean ocean floor for over 2,000 years. Following five years of careful refurbishment in Rome's 'Istituto Centrale per il Restauro' this amazing bronze statue, probably from the school of Praxiteles, was restored almost to its former glory with its head and torso remaining largely intact, incredibly! The 'Dancing Satyr' was then taken on a global tour, including Japan and the Louvre in Paris, where it drew very large crowds capturing the world's imagination. It is now housed in a purpose-built museum in Sicily - 'Museo del Satiro'. The first movement - INTRODUZIONE - begins in a neo-Italian Baroque style , with ancient undertones, in homage to the statue's current home where it has received great care and attention. The music then proceeds in a more modern and programmatic vein conjuring the disastrous sinking of the ship carrying this masterpiece in ancient times and its loss to the inky depths below. The second movement - DANZA - is much lighter in mood celebrating its recovery and conveying the joyous expression of the 'Dancing Satyr' with its arched back and head thrown back in ecstatic abandonment, brilliantly portrayed by its original sculptor. Here the musical language is more influenced by the rhythms of Greek folk music while incorporating modern guitar idioms and harmonic concepts as in the first movement.
$9.99
9.19 €
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Guitar
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LINCOLN BRADY
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IL SATIRO DANZANTE - Solo Guitar
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LINCOLN BRADY
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SheetMusicPlus
Dream Not Of Today
Guitar
Guitar - Digital Download SKU: A0.1070393 Composed by Apostolos Paraskevas. 20th Ce…
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Guitar - Digital Download SKU: A0.1070393 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Jazz. Full Performance. Duration 335. Silver Sickle Publications #6103013. Published by Silver Sickle Publications (A0.1070393). Dream Not of Today is a lullaby and a night storytelling fable with heroes, challenges and romances. It's a lullaby for the brave kids and for those adults full of emotions, who want to sleep at the end of it and only after all the good guys have already won. It is written in a jazzier and continuing motivic development style as almost a Theme and Variations. It was composed in 2013 and commissioned by and dedicated to Laura Young.
$1.99
1.83 €
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Guitar
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Apostolos Paraskevas
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Dream Not Of Today
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Silver Sickle Publications
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SheetMusicPlus
Dream Not of Today
Guitar
Solo Guitar - Digital Download SKU: A0.942089 Composed by Apostolos Paraskevas. 20t…
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Solo Guitar - Digital Download SKU: A0.942089 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Jazz,World. Individual part. 6 pages. Silver Sickle Publications #5041113. Published by Silver Sickle Publications (A0.942089). Dream Not of Today is a lullaby and a night storytelling fable with heroes, challenges and romances. It's a lullaby for the brave kids and for those full of emotions adults who want to sleep at the end of it and only after all the good guys had already won. It is written in a jazzier and continuing motivic development style as almost a Theme and Variations. It was composed in 2013, commissioned by and dedicated to Laura Young.
$7.99
7.35 €
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Guitar
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Apostolos Paraskevas
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Dream Not of Today
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Silver Sickle Publications
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SheetMusicPlus
The Time Between Genesis 1:1 and 1:2
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1028595 Composed by J.S. Jacques. …
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Solo Guitar - Level 3 - Digital Download SKU: A0.1028595 Composed by J.S. Jacques. Christian,Contemporary,Instructional,Jewish,Sacred. Individual part. 1 pages. J.S. Jacques #3586003. Published by J.S. Jacques (A0.1028595). This piece was composed for solo classical guitar, but it could be performed on a variety of instruments. Excellent for guitar students, especially those seeking to learn the higher regions of the fret board. A choice piece for guitarists of all levels wishing to improve their a ( p), m, i right hand pattern. An excellent piece for church services, especially as it centers on a cryptic chapter of Bible history.If you would like to know how I play it, I'll be happy to make a YouTube tutorial. If so, or if you have questions about the title or anything else, feel free to email me at jerjacques@gmail.com.A performance would typically be around 80 BPM and last 1:40 to 2 minutes.
$2.60
2.39 €
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Guitar
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J
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The Time Between Genesis 1:1 and 1:2
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J.S. Jacques
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SheetMusicPlus
Modern Jazz Guitar Styles
Guitar
Guitar (all) - Beginning-Intermediate - Digital Download SKU: M0.99917BCDEB Compose…
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Guitar (all) - Beginning-Intermediate - Digital Download SKU: M0.99917BCDEB Composed by Andre Bush. Technique, Theory, Reference & Rhythm. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #99917BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.99917BCDEB). ISBN 9781610658300. 8.75x11.75 inches.A unique book and audio package including extensive chapters on soloing, chords, rhythm and effects. With in-depth exercises on modern scale applications and intervallic choices, developing individual chord voicings, incorporating rock and funk concepts, exploring elements from world music such as odd meters and polyrhythms, and ideas for developing your own sonic textures and approach to tonal manipulation. Each section features an essay illustrating the musical history and specific innovations of modern jazz guitar masters, with insightful commentary accompanying each concept and example. The last section thoroughly analyzes studio performances of two original compositions incorporating all the above materials. Modern Jazz Guitar Styles provides the serious student or professional seeking to broaden his palette with a comprehensive overview of the current state of jazz guitar. Extensive chapters on soloing, chords, rhythm and effects In-depth exercises on modern scale applications and intervallic choices Ideas for developing your own sonic textures and approach to tonal manipulation Covers developing individual chord voicings, incorporating rock and funk concepts and exploring elements from world music Provides serious student/professional a comprehensive overview of current state of jazz guitar Includes access to online audio.
$19.99
18.4 €
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Guitar
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Andre Bush
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Modern Jazz Guitar Styles
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Randy Newman: You've Got A Friend In Me (from Toy Story) - guitar solo
Guitar
Instantly printable sheet music by Randy Newman for guitar solo of VERY EASY skill level. …
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Instantly printable sheet music by Randy Newman for guitar solo of VERY EASY skill level. / children,disney,film/tv,movies
$4.97
4.57 €
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Guitar
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Randy Newman
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Virtualsheetmusic
Randy Newman: You've Got A Friend In Me (from Toy Story) - guitar solo
Guitar
Instantly printable sheet music by Randy Newman for guitar solo of MEDIUM skill level. / c…
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Instantly printable sheet music by Randy Newman for guitar solo of MEDIUM skill level. / children,disney
$6.97
6.41 €
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Guitar
#
Randy Newman
#
Virtualsheetmusic
Randy Newman: You've Got A Friend In Me (from Toy Story) - guitar solo
Guitar
Instantly printable sheet music by Randy Newman for guitar solo of MEDIUM skill level. / c…
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Instantly printable sheet music by Randy Newman for guitar solo of MEDIUM skill level. / children,disney,film/tv,movies
$6.97
6.41 €
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Guitar
#
Randy Newman
#
Virtualsheetmusic
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